The continuo, always in two voices, avoids a simple repeat to maintain a real dialogue between the instruments. Their tessitura extends over 5 octaves, and, unlike early works, these mature scores avoid any paraphrase and elements of external virtuosity. Their invention and their harmonic sense are of great richness, unparalleled for the time. Six of the seven sonatas of the present anthology bring together the ‘great sonatas’ probably intended for the King of Prussia in the years 1787 -1797. The case of his Cello Sonatas is characteristic written at very different times, not all published during his lifetime, the number is finally stopped in the catalogue Gérard (G.) at 29. He died in 1805, having received little support from his protectors at the end of his life.Īuthor of a considerable number of works, but incomplete and disseminated throughout Europe, it will be necessary to wait for the work of the musicologist Yves Gérard to have a real inventory and a critical catalogue of his compositions. He also worked for the future King of Prussia, Frederick William II, for whom he made numerous ‘deliveries’. His time was divided between Vienna and his native city of Lucca until 1766, when he undertook a concert tour with the violinist Filippo Manfredi throughout Europe, staying more than a year in Paris before going to Spain, where Boccherini settled, working as a composer and cellist at court and becoming a prominent figure in the musical life of Madrid. He began his career at the age of thirteen, and the following year went to Vienna with his father, where they both worked at the court theatre. The son of a cellist and double bass player, Luigi Boccherini (1745-1805) quickly became famous as a child prodigy on the cello. Info for Luigi Boccherini: Sonatas for Cello and Continuo, Vol. Luigi Boccherini (1743 - 1805): Sonata No.
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